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Originally a stage monologue, this BBC4 feature was reimagined for screen during the pandemic. As a one-woman show, it was a creative challenge to keep the visuals emotionally layered and alive — a true collaboration between theatre and film with the most wonderful creative team.

An observational documentary set on the Dungeness coast. I shot with a sensitive, slow approach, focusing on light, texture, and land-based perspectives to reflect the fragility and dignity of those living and passing through.
A high-intensity short film where three women confront a digital predator, and things spiral. We shot on anamorphic lenses, creating a bold, stylised world inspired by John Wick. I balanced dramatic lighting with a welcoming set atmosphere to support performance of the students.
A quiet, observational documentary on the lives of Ukrainians displaced by war. Shot with a minimalist approach and no lighting setup, the film’s static, composed frames gave space for stillness and connection. Sensitivity and restraint were key throughout.
THE CIRCLE/UPRA PRODUCTIONS
Dir. Lanre Malaolu
Short Documentary
Published by The Guardian, this documentary blends movement and dance with interviews, using choreography as a visual narrative. I used natural light and gimbal movement to echo the rhythm of the performers, letting the camera become a silent partner in the piece.












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